Local Interior Designer Has the Knack for Arranging Knickknacks

Don't be afraid to display sentimental pieces in surprising ways, says downtown-based Bradley Barnet

By Talia Gottlieb January 8, 2015

barnett

This article originally appeared in the January 2015 issue of Seattle magazine.

[addtoany]

Knickknacks, tchotchkes, accessories—whatever you call them, everyone has some, but few really know how to show them off to the best effect. It’s a skill; indeed, it’s one that interior designer and architect Bradley Barnett, founder of architectural, design and branding firm Guild13 (guild13.com), has in spades. In his downtown Seattle apartment, Barnett has arranged a combination of quirky yet elegant artifacts (think taxidermy, ceramic sculptures and an alabaster funerary urn) with personal mementos in an immaculate tableau. A few tips from Barnett put this artful elegance within reach of the rest of us.

“Accessories don’t have to match,” says Barnett, but once you put two or more similar items together, a display becomes much more interesting. “Anything in quantity is art,” he explains. Case in point: white ceramic pieces clustered together on a bookshelf.

To create visual interest in his living-room hutch, Bradley Barnett displays items in multiples—wooden boxes, ceramic doll heads—but is careful to not overcrowd; photo credit: Hayley Young

Don’t shy away from displaying sentimental items in surprising ways; for example, placing framed family photos on the floor, instead of hanging them on walls.

All that glimmers is good.
Barnett is a self-described gold-leafing addict, having applied 23K gold leaf to more than his fair share of shells, horns and feathers. A cream-colored fox skull pops, thanks to gleaming incisors, and a shimmering turtle shell sits in wonderful opposition to enormous 50-inch-long silver-leafed elk horns.

Contrast is key when planning a display at home; make sure your space is dynamic by playing with shiny and matte, dark and light. And don’t be afraid to leave blank space—another nod to the importance of contrast.

“Celebrate the mundane,”
Barnett says, with special lighting and display cases. Lighting elevates, while cloches and display cases give weight to ordinary or smaller items. All help to “make something useless glamorous.”

A gold-leafed turtle shell and a bold silver-leafed elk horn are juxtaposed with the soft curvature of a ceramic sculpture and the clean lines of the cloches. Below: Barnett likes to bring nature indoors via flowers, plants or branches, often displayed in this handblown Jalisco vase from Watson Kennedy. The adjacent Curtis Jere bird sculpture was purchased on Ebay, and the painting is a charcoal and wax study by local artist Christine Chaney. Photo credit: Hayley Young

 

Follow Us

Montlake Maximalists

Montlake Maximalists

Couple strips 1915 Dutch colonial home

Subscribers to the minimalist movement that has dominated American interior design over the past decade-plus may be roughly cleaved into two demographic groups...

Picture Perfect, Inside and Out

Picture Perfect, Inside and Out

The Friedman home serves as a rotating art gallery

"Canoe Trails Residence” is a home art gallery designed with velvet gloves and without velvet ropes. For decades, Ken and Jane Friedman have been serious curators and creators of art. Jane formerly co-owned Friedman Oens Gallery on Bainbridge Island, acquiring notable pieces from around the Northwest and world. Their collection includes...

PCF Wins Prestigious Remodeler's Award

PCF Wins Prestigious Remodeler’s Award

PCF Construction Group nabs awards for excellence and integrity

[addtoany]People Come First (PCF) Construction Group has been building dream outdoor living spaces for homeowners across the Pacific Northwest for more than 15 years. The Kent-based builder was named National Remodeler of the Year by the National Association of Home Builders (NAHB) in 2023, and a National Finalist in 2024. “Receiving the Remodeler of the…

Small-Scale Sensitivity

Small-Scale Sensitivity

Whole-house renovation respects the aesthetics of its Capitol Hill neighborhood

Miriam Larson founded Story Architecture in the belief that, if she dug deep enough, each house and the family that lives in it would have a story to tell. In time, she would also conclude that some books are perfectly happy to be judged by their covers.