Skip to content

Seattle Culture

Selling Seattle

New effort from Visit Seattle showcases the city’s stunning beauty

By Sarah Stackhouse February 26, 2024

A still frame from Visit Seattle's destination video showing the Bainbridge ferry departing from Seattle.

This article originally appeared in the July/August 2024 issue of Seattle magazine.

Visit Seattle’s new three-and-a-half-minute destination video is worth bragging about. It’s directed by Emmy-nominated Matty Brown, renowned for his visual storytelling, and narrated by award-winning poet, educator, and Cave Canem fellow, Quenton Baker.

“Seattle has always been home for me,” Brown says. “Even on my travels around the world I yearn to return to it. No other metropolitan city has really captured the sense of wonder and nature the way Seattle does. Its culturally rich background and modern edge give it such a grand mix of life.”

Baker’s poetic narration adds depth and perspective, drawing inspiration from Seattle’s charm and beauty. “When I set out to write this poem, it was natural for me to think of the city as a collection of texts. Of the intertwined, intertextual nature of the disparate communities of people, wildlife, and environments that make Seattle what it is,” says Baker. “A city is a complicated thing. It raises you, it scars you, it shapes you, it gives you context, it constricts, limits you.”

 

The video is being called a love letter to Seattle and will be a key component of Visit Seattle’s marketing. Highlighting iconic spots like Pike Place Market, Gasworks Park, Wing Luke Museum, the Fremont Troll, and the Gum Wall, the video captures Seattle’s eclectic spirit and commitment to diversity.

“All of this lives in me, someone who was born here and has lived here my whole life. The opportunity to write this poem means quite a bit,” Baker says, “It sings and wails inside me at different registers. The chance to sing back is a gift.”

Visit Seattle, a 501(c) organization, has promoted Seattle and King County for 50 years, through travel marketing and convention sales. In 2022, Tammy Blount-Canavan assumed the role of CEO and president of Visit Seattle, becoming the organization’s first female CEO.

While Visit Seattle will release its 2023 tourism metrics later in March, data from 2022 shows growth. Seattle and King County welcomed a total of 33.9 million visitors, marking a 27.4% increase from 2021, with overnight visitors rising by 34.9% to reach 18 million.

These visitors injected $7.4 billion into the city and county. They also contributed $689.1 million in state and local taxes, a 34.4% rise from the previous year.

Follow Us

Seattle & Iceland Enjoy Deep Roots

Seattle & Iceland Enjoy Deep Roots

Hot springs are nice, but Iceland’s new creative class is among the top reasons to visit Reykjavík, Seattle’s longtime sister city

One unusually warm afternoon this past April, I found myself in a long line outside a building in downtown Reykjavík, Iceland. Ostensibly, I was waiting for pizza...

Cleopatra’s Story Told Through Traditional Indian Dance

Cleopatra’s Story Told Through Traditional Indian Dance

The newest production from Mohini Dance School looks at the trials of the Egyptian queen

In 2013, several of Smitha Krishnan’s friends reached out, asking if she was available to teach Mohiniyattam — a form of classical Indian dance originating from the southern state of Kerala — to them and their children. A dancer since childhood, Krishnan, the artistic director of Mohini Dance School, started training in Indian classical dance

And the Winners Are...

And the Winners Are…

Seattle authors sweep the 2024 Washington State Book Awards 

The wait is over. This year’s standout books have been announced...

A New Play With Old Roots

A New Play With Old Roots

World premiere production of 'Mrs. Loman Is Leaving' examines identity and expectations

For actor-turned-playwright Katie Forgette, Arthur Miller’s Death of a Salesman — often considered one of the greatest plays of the 20th century — has resurfaced again and again throughout her life. Starting with a theater class in high school (then in college, and again in grad school), Forgette studied the text under instructors who held