Food & Drink

The Urban Death Project: Should We Compost Human Remains?

Katrina Spade designs a green alternative to traditional burial and cremation

By Mandolin Brassaw October 6, 2014

seattleite-urban-death

This article originally appeared in the October 2014 issue of Seattle magazine.

[addtoany]

In the face of shrinking land resources and concerns about carbon footprints, what do we do with our loved ones when they die? For Katrina Spade, 37, a Capitol Hill–based designer with a master’s degree in architecture, that question arose after she had two kids and began thinking about her own mortality. Traditional burial and cremation both came with environmental consequences that didn’t sit well with her, so she proposed an alternative as a part of her master’s thesis. Called the Urban Death Project, the basic concept is a several-storied building, within city limits, in which a collective pile of bodies can compost over time and ultimately be used as fertilizer. Though not religious, Spade appreciates a sense of ritual—evidenced by her graceful renderings, in which ramps wind up to the top floor, where family members or “death midwives” could wrap the body in linen, say goodbye and gently deposit it into a heap of wood chips and sawdust (which act as a filter to break down odorous gases and limit the smell). Spade recently submitted her proposal to Echoing Green, a New York City–based philanthropic institution that supports ventures for the social good, and was awarded an $80,000 fellowship to explore the idea more fully. Easygoing and not at all morbid, she posits that the compost might be used by family members, in their yards or gardens, or by open city spaces, such as Volunteer Park, where it could supply the park’s landscaping needs. “How incredible would it be to be folded back into the city you love,” she says, “and remain a part of it forever?”

NEED TO KNOW:

1/ Even though collective decomposition makes some people wary, Spade says millennials seem to love the idea. “I hope this doesn’t mean it will take another 60 years to really take off,” she adds.
2/ Seattle is the perfect place to test the concept, Spade says, given our history of innovation and commitment to the environment. Plus, “We have a sense of pride in doing things differently.”
3/ Spade is working with 2020 Engineering in Bellingham to explore permitting and licensing, which will likely be similar to those required for a crematorium. The plan is to first build a prototype on private land outside the city.
4/ Ideally, the Urban Death Project would expand to follow the model of city library branches, where each is designed by a different architect and for the needs of a particular neighborhood.

1/ Even though collective decomposition makes some people wary, Spade says millennials seem to love the idea. “I hope this doesn’t mean it will take another 60 years to really take off,” she adds.

2/ Seattle is the perfect place to test the concept, Spade says, given our history of innovation and commitment to the environment. Plus, “We have a sense of pride in doing things differently.”

3/ Spade is working with 2020 Engineering in Bellingham to explore permitting and licensing, which will likely be similar to those required for a crematorium. The plan is to first build a prototype on private land outside the city.

4/ Ideally, the Urban Death Project would expand to follow the model of city library branches, where each is designed by a different architect and for the needs of a particular neighborhood.

 

Follow Us

Seattle Podcast: Spencer Frazer: Second Act Artist Changing the World

Seattle Podcast: Spencer Frazer: Second Act Artist Changing the World

[addtoany]

Dynamic And Engaging: The Call Of Calder

Dynamic And Engaging: The Call Of Calder

As a teenager, former Microsoft executive Jon Shirley fell in love with the works of Alexander Calder. He’s now sharing his passion with the public.

For me, moving around The Eagle, taking it in outside of traditional gallery walls and interacting with it, choosing how I saw the work, was a totally new way to experience art...

The Art in This Leschi Backyard is Literally Immersive

The Art in This Leschi Backyard is Literally Immersive

One local collector’s transformed yard features a new swimming pool with a custom installation

When architect Ian Butcher signed on to design an outdoor space for a local philanthropist and art collector, it turned out to be a double dose of revisiting the past...

Longtime Seattle Artist Mary Ann Peters Opens Show at the Frye 

Longtime Seattle Artist Mary Ann Peters Opens Show at the Frye 

Peters’ first solo museum show is a testament to her decades-long career

After more than 30 years of active involvement in Seattle’s art scene, Mary Ann Peters finally has her first solo museum show...